The Roman Goddesses of the Strawberry Moon - International Moon Circle 1

The summer solstice approaches and with it a special day that comes only once in nineteen years, the day when the moon is full on Litha. Fullness within fullness. A time for wholeness and rejoicing, a time for embracing our full identity and expressing our truest self. 

My declaration of cultural opening

While I know that what we call Neopaganism and its connected communities such as Wicca or Reconstructionist Paganism are primarily European, my faith is neither Reconstructionist nor limited to the culture of my birth. My family is racially and geographically diverse, a fact I cannot and would not change. I have been touched by living in many diverse cultures and I cannot fit myself into one place. 

I wish to be respectful of cultures which have been colonized and exploited in the past and so refrain from further harming them that they may find healing. I do not adopt the titles or trappings of such cultures in what is deemed "cultural appropriation." However, I will honor the wisdom and stories of many peoples through their goddesses and thus their spiritual connection to the earth, which I believe is the key to our survival and goodness. If we do not do this, we necessarily exclude others from our circle and from our children's education. 

To further this international and inclusive Paganism--a spiritual practice that encompasses all those for whom the earth is central life and action--I am celebrating a different set of goddesses and their cultural roots each moon. In this way, I can connect to a unique maiden as each moon waxes, a linked mother goddess at the full moon and a dark goddess at the dark of the moon. Dark goddesses are sometimes the crones, the grandmothers of the spiritual tradition. But often they are not. They may be young or old, but they represent the inner and emotive parts of the divine feminine. There is a time to be shining and outward focused, but just as the moon wanes each month, there is a time to know our inner selves and acknowledge those things we fear. It is through the dark goddesses that we often find the reason to live. 

I will probably focus more often on cultures with which I am personally familiar but I also welcome contributors from other cultures. 

Roman goddesses

During this brightest month of the year I have chosen to focus on Roman goddesses. These are the goddesses of the land that gave us the Tarot and now is the season when even here in the north we can make some of their delicious Mediterranean foods with fresh produce.  What is remembered of the Roman gods in history is often a bit stoic—reminiscent of their frozen statures—and it is good to connect to their deeper sensual essences. The Maiden is Diana, goddess of the wilderness and free spirit. The Mother I choose to honor is Lucina, the goddess of light and summer warmth, the Dark Goddess is Minerva, goddess of learning and memory.

Creative Commons image by David R. Tribble

Creative Commons image by David R. Tribble

The full moon is nearly upon us and so I'll start with the mother. The moon's cycle always turns again and it is good to start somewhere other than the maiden sometimes, in order to remember this. 

One statue shows Lucina with tight braids and a crescent moon on her forehead. She often has several young children around her. She is a protectress of birth and young children. She is also called the ladybug goddess. (Daly 2009) She particularly blesses those who give to others in need. Her symbol is a silver coin, often given as an offering, or a ladybug. Activities to connect with her involve making intricate braids in your hair or attaching decorative braids to shorter hair, playing with children and helping children in need. Many countries in Europe hold a national children’s day in June in which society focuses on the needs of children, including the need for outdoor play.

Later this month when the moon wanes, I will turn to Minerva. She was originally a goddess of business and scholarship and later a goddess of crafts, domestic skills, arts and sciences. But in between she became an almost savage Roman goddess of war, death and sexuality. (Daly 2009) Somewhere in there the woman they tried to strap into the secretary’s chair and tie to the kitchen stove, got a little unruly. In the Roman pantheon she and Juno were positioned just subordinate to Jupiter, the supreme deity. But she seems to have been a symbol of the unwillingness of women to always be second. Her wisdom led her to demand her due and this alone is often seen as dark in the feminine context.

To connect with Minerva it may be necessary to take a hard look at where women have taken a subordinate position without warrant, at the difference in salaries for the same work and to be active in demanding equality.

At the time of the waxing moon, I asked for the bravery and independence of Diana. She is the Maiden Goddess of the woodland and the hunt. She particularly protects the very young, both human and animal. She was traditionally worshiped outdoors and primarily by women. Men could only take minor roles and often those that symbolized their own death. Women would go to the forest in a torch-lit procession at night to honor her. She was offered clay figures of women in the squat of childbirth and asked for protection in giving birth. (Monagham 2014) Her symbol is a bow and arrow and the most common way to connect with her involves fire ritual outdoors at night.

Biblliography

Daly, K. N. (2009). Greek and Roman Mythology A to Z. New York, NY: Chelsea House Publishers.
Hunt, L. (2001). An Illustrated Meditation Guide: Celestial Goddesses. St. Paul, MN: Llewellyn Publications.
Jordan, M. (2004). Dictionary of Gods and Goddesses. New York, NY: Facts On File, Inc.
Leeming, D. and Page, J. (1994). Goddess: Myths of the Female Divine. New York, NY: Oxford University Press.
Littleton, C. S. Ed, (2005). Gods, Goddesses and Mythology, Volume 4. Tarrytown, NY: Marshall Cavendish Corporation.
Loar, J. (2008). Goddesses for Every Day. Navato, CA: New World Library.
Lurker, M. (1987). A Dictionary of Gods, Goddesses, Devils and Demons. New York, NY: Routledge and Kegan Paul Ltd.
McLeod, S. P. (1960). The Devine Feminine in Ancient Europe. Jefferson, NC: McFarland and Company, Inc. Publishers.
Monagham, P. (1997). The New Book of Goddesses and Heroines. Woodbury, MN: Llewellyn Publications.
Monagham, P. (1999). The Goddess Companion. Woodbury, MN. Llewellyn Publications.
Monagham, P. (2014). Encyclopedia of Goddesses and Heroines. Novato, CA: New World Library.
Motz, L. (1997). The Faces of the Goddess. New York, NY: Oxford University Press.
 

The women's wheel of the world

Celebrating of the rhythms of the earth through the goddesses of many cultures

Today many of us wish to connect to the cycles of nature. In our houses, jobs and schools, it can be difficult to feel a purpose in life. We lose touch, lose connection, and find ourselves drowning in everyday apathy or anxiety. 

There is an antidote in marking the rhythms of nature and feeling closer to the earth and the seasons of the sun. 

Beltane maiden.jpg

It isn’t just a nostalgic hippie concept. It’s a spiritual practice and a way to explore the huge questions in life in a way that doesn’t contradict science. For those of us who think too much, there is often a tension between the need for a spiritual sense of meaning and our logical insistence that what you see is what you get. 

The turning of the earth and the moon, the tilt of the earth and the seasons brought by sunlight—these are things science has well in hand. We know the sun will rise, just as we know bad days have only twenty-four hours. We know winter will come, just as we know that each of us has to get old someday. 

The rhythms of nature are simple and scientific. And at the same time they are profound and at the root of the greatest philosophical and spiritual traditions of humanity. The cycle of life is much larger than the circle of a year, but the whole is too vast—and frankly too harsh—to explain to children or even to contemplate directly as an adult. But we don't take in the circle of a year all at once. We come to it bit by bit. And we don’t have to contemplate it with the mind only. We use all of our senses, our body, heart and soul to perceive natural rhythms and the Wheel of the Year gives us the understanding we cannot gain through force of will.

The sacred sun days

Creative Commons image by Lostintheredwoods of flickr.com

Creative Commons image by Lostintheredwoods of flickr.com

As the earth tilts toward and away from the sun, we experience seasons. At the point when our part of the earth is tilted furthest toward the sun, we have the Summer Solstice--the time of greatest light. And when our part is tilted away we have the Winter Solstice. After each solstice we start to lean the other way. From light to darkness. And from darkness to light.

In the ancient tradition of the Celtic-Germanic-Slavic land I live on these solstices can be called Litha (for the Summer Solstice) and Yule (for the Winter Solstice). These are the best modern terms we have, originating from ancient European languages. Other cultures may have other terms for the solstices and the other sacred days of the wheel. My goal is to include the whole world and other terms are welcome.

Between these special days of the sun, there are the days when the light and dark are in perfect balance—the equinoxes. In the fall we call the equinox Mabon. In the spring we call the day of balance Ostara. 

If you make a cross and put the solstices opposite one another at the ends of one line and the equinoxes on the other axis, you have an ancient symbol of the sun. And if you make an X inside the cross, you then have a star with eight points or a wheel, the base of a mandala pattern. The four new points are for the days halfway between the equinoxes and solstices. Beltane on the first of May in the northern hemisphere (November in the south), Lammas at the cusp of August in the north (February in the south), Samhain on the first of November in the north (May in the south), and Imbolc in the earliest days of February in the north (August in the south). And that is what is called the Wheel of the Year.

It is a way of celebrating the rhythm of life and it starts as a recognition that there is darkness, release, relief, creation, expression, harvest, destruction, transformation—in natural and perpetual turning. When you mark the seasons of the year as sacred, your body, mind and soul reclaim their own rhythms. It doesn’t mean that you don’t suffer from life. But it connects you to the good in each season.

The Sacred Women from Around the World

There are many ways to celebrate the Wheel of the Year. We often cook special foods and exchange gifts. There are fun traditions for the whole family to enjoy and quiet observances for those who seek spiritual sustenance. One way to mark the sun days is to connect to the diverse spiritual teachings of our world through the myths of sacred women—the Goddess—and the many names for goddess in different tongues.

Marking the holy days with goddesses can be part of an active and vibrant family celebration or it can be a simple and quiet moment of meditation for an individual. The goddesses chosen for a sacred day should reflect the spirit of the season in their stories. Here I will suggest three goddesses for each of the solar holidays. As in many parts of the world, you can see goddesses as maidens, mothers and crones. There is a Maiden Goddess, a goddess full of independence and youth; a Mother Goddess, a nurturer and life-giver; and a Crone Goddess, a wise woman of healing and transformation--for each station of the sun.

Imbolc

My year begins in mid-winter because of importance of the alternating rhythm of the growing season and the time of greater contemplation and inner work. I also wish to start the year with the goddess I am closest with—Brigid. Our family Imbolc celebration usually includes a small, child-friendly ritual, sweet dumplings made with milk curd, seed cakes, many lit candles and candle making, candle-shaped cookies, Tarot and i-Ching readings, putting wishes for the year into a jar, hanging new Brigid’s crosses and waking up the Brigid doll sleeping in a basket by the fire on the morning of Imbolc. It may also include a trip to a spring or old well if we can manage it.

Creative Commons image by  the Borghese Collection

Creative Commons image by  the Borghese Collection

Brigid is the maiden of Imbolc and though she is also mother and wise woman in other aspects (Weber 2015),  I can add mother and crone goddesses to this day as well. 

Saulė is the Latvian “dear little white sun,” (Motz 1997) and a good mother goddess for the cold day of Imbolc. She also shares the care of orphans with Brigid, who is often called “foster mother” either of Christ when she is portrayed as a Christian saint or of the one offering prayers in Pagan prayer. (Daimler 2016) Because my husband and I are adoptive parents, this has particular meaning in our family. We could easily incorporate an offering of endearments to Saulė. And given that we don’t do Valentine’s Day here and my children often wonder what their American cousins are talking about, we could include making heart shaped endearments for one another, as words of endearment are special to Saulė. (Motz 1997)

Elli is my crone of Imbolc. She is the goddess of old age and wisdom and yet I find the story of her beating Thor in a wrestling match (Auset 2009) to be wonderfully light-hearted. She reminds me of an old granny sitting by the Imbolc fire and laughing over her exploits and the folly of head-strong young people who think they will never be old. A symbol of her might be a shawl spread over the rocking chair by the fire and a story read from the children’s book of Grandmother Tales that portray old women as smart and capable. 

I can envision these three—Brigid, Saulė and Elli—discussing the needs of family and kin, planning fo the year ahead and tempering one another with their complimentary energies of fire, compassion and wisdom.

Ostara

Our Ostara tradition is usually fairly simple. We color eggs, decorate and make egg and bunny shaped cookies. Then the children hunt for eggs on the morning of the equinox. In local tradition, we decorate a leafless tree in the front yard with colored eggs and ribbons. We may read rabbit stories or other stories relating to Ostara. We’ll usually have a special lunch or dinner consisting of lots of eggs, such as quiche.

The name of the day Ostara comes from a maiden goddess. Ostara or Ostre is the the Saxon goddess of youth, fertility and beauty, who is accompanied by a hare. (Sass 2003) Her symbols are eggs and the hare which are already well incorporated into our traditions, although it is good to remember her with words at this time and consciously honor her through these symbols.

Anna Perenna is my Mother Goddess for Ostara. She is the enduring year, the goddess of the promise of a new cycle. (Monagham 2014)  We honor her at Ostara to give thanks for the promised return of spring, which is in our part of the world very heartfelt for everyone, and also to remember that the year will turn again, inexorably and always. We can make our quiche or other dishes this day round in honor of her. And because she is considered a trickster as well, we can plan April Fools pranks. 

The crone of Ostara is the Cailleach, the Celtic lady of chaos, harsh winds and primordial forces. (Greenfield 2014) We often have snow on Ostara, a last blast of winter coating our Ostara tree in white. The threat of weather disasters for our tiny seedlings is far from over and still keep them indoors at this season. The Cailleach is fearsome and a reminder that chaos can come despite Anna Perenna’s turning of the wheel. But she also lends us inner strength, a vitality and perseverance that is often lacking in the modern, overly convenienced world. She is also the Celtic equivalent of the crone of the cold season that our local legend bids a raucous farewell at Beltane, so it is fitting to have her in mind beforehand. We can honor the Cailleach by making a wind chime of feathers and metal objects that will bring her voice to the wind.

Beltane

Our Beltane celebration has been in my husband’s home village for many years now. The village has a huge bonfire and a fifty-food maypole. This tends to overshadow anything I try to do. However, I always get together some sort of flower-shaped sweets and May baskets for us to give to neighbors and cousins during the festivities. We sometimes go out to greet the beautiful Beltane morning and place offerings at the base of the maypole. Otherwise it is a community event involving cooking whatever will feed the most people.

Creative Commons image by PROLisby of Flickr.com

Creative Commons image by PROLisby of Flickr.com

Ilankaka is the Nkondo maiden goddess for our Beltane. She is both creative and loving, but she also reminds us of the struggles of relationships, because she is captured by a man against her will and suffers great sorrow. (Monagham 1997) Beltane is a time of celebrating relationships and also making them better. The Maiden gives us the will to stand strong in ourselves as well and Ilankaka’s story is pertinent.

Panchamama is a delightful Incan mother goddess, honored in an unbroken line by tribes in the Andes and is still going strong today. She is an earth mother, a garden goddess and a “special companion” for women. (Leeming and Page 1994) May is they primary gardening month in our climate, when everything is planted and weeds grow desperately to beat the short growing season. It is a month when my life is very domestic and I love the idea of honoring Panchamama at this time.

The crone for Beltane might be Changing Woman. Her name in the Navajo language is Asdzan Nadleehe and she carries our ability to change within our lifetime, to be transformed and renewed at every age. (Loar (2008) There is a strong sense that Beltane is a time of when transformation is more possible, closer to the surface and a time to embrace the lessons of Changing Woman.

One of the ways I would recognize these goddesses is to put small offerings symbolic of their traditions in the earth at the base of the Maypole. We could leave a bright stone of polished marble (symbolic of Ilankaka’s brigtht radiance), some colored wooden beads like those often used in the Andes (as a symbol of Panchamama) and either a feather or a piece of snake skin (as symbols of Changing Woman). I would ask for the blessings of these goddesses on Beltane morning—the strength and independence to be a strong and healthy partner with the energy of the maiden Ilankaka still vibrant in my married life, the deep earth connection of Panchamama (and her help with my garden), and the ability to transform beautifully as does Changing Woman. 

Litha

The Summer Solstice is the solar holiday we have the least tradition for in our family. We often do little more than have a nice meal and try yet again to explain to the children about solstices from a scientific perspective. I try to have a bonfire but it isn’t always possible, sometimes due to lots of rain. This year for the first time, we will go to a local Pagan event that is appropriate for children. I am still searching for traditions for this time. If I could choose it would be playing music and drumming around a fire or some other activity involving expression and creativity.

Amaterasu is my Maiden Goddess for this time. She is often honored  in June in Japan. (Monagham, P. (2014) To me her seeming narcissism is a reminder of the necessity of putting ourselves out into the world, particularly women and especially when we are young. Today’s world is not kind to those who remain too passive. For better or for worse, we need goals and pride in our identity if we are to find a material life and work which brings us joy and fulfillment. Placing a small mirror on a flat stone or sundial to reflect a bit of the sun back into the sky, may be integrated into a ritual for Amaterasu.

Beiwe, the Arctic sun goddess, is the mother for this time. While the sun may seem too hot in many climates it is worth remembering that the northern climates need her warmth and life-giving energy. We are far enough north that even in the temporary heat, we have reason to see the sun as a nurturing mother. She can be honored by making “sun circles” out of leafing branches, (Monagham, P. (2014) and these could be placed around Amaterasu’s mirror.

Al-Lat is the ancient Middle Eastern sun goddess to provide a crone for this height of the sun’s power. She may be integrated into the ritual with a black stone or an eye drawn onto the mirror. 

Lammas

Lammas usually involves a camping trip or bonfire with friends, many of whom don’t share goddess spirituality, so my ritual celebration of the day is often quite simple. I like to make bread in interesting shapes and an outdoor altar if possible. I have a special tablecloth that everyone signs as a symbol of community and the feast.

White Buffalo Woman is my Maiden goddess for this time. She is both warrior and generous benefactor. She supports the community and brings the deeper meaning to community festivities that I long for. Her lessons involve respect for ecology and the earth, honoring warriors and defenders of the clan, as well as the desire to give back whatever it is that fills us with abundance. (Greenfield 2014) A perfect symbol of White Buffalo Woman is a picture or figure of a white cow, calf or horse.

Creative Commons image by Rosa y Dani of Flickr. com

Creative Commons image by Rosa y Dani of Flickr. com

 Saraswati is the Mother Goddess for this time, sharing her knowledge as a teacher. The earth is abundant at this time, but the wisdom to use the gifts of plenty wisely is crucial. Saraswati is not only a mother of abundance but also a mother of wise counsel, teaching and learning. A good symbol to bring her blessings to the day is a book.

Macha is the crone for this time of community and sharing. While White Buffalo Woman brings gentle gifts and fierce courage to the community and Saraswati brings the knowledge needed to nurture community, Macha embodies the energy of the activist for environmental and social justice, which is another important aspect of this day. Her energy be brought with a banner or sign with messages of the justice needed at the time. 

These symbols—a white animal, a book and a sign or banner—can be used to decorate the home or gathering of friends. This is a way to bring the healthy and beneficial energy of community together. 

Mabon

At Mabon we gather our family and sometimes close friends for a meal of thanksgiving. We visit or send gifts to older people. We also give gifts to or do kind things for animals. In my family the primary focus of Mabon is giving thanks and recognizing those who have given to us—for example our elders through all the struggles they have been through to bring us to this time and the animals that provide us with food, clothing, comfort, friendship and a healthy ecosystem to live in. 

Tabiti is a maiden goddess of hearth, family loyalty, harmony in the home and the protection of animals. (Auset 2009) She is also associated with the chieftains of family and clan and with oath giving. MacLeod 1960). Coals from the hearth make a good symbol for her and reiterating the oaths of family bonds and other commitments is a good way to honor her. New oaths may be given at Mabon feasts as well.

White Shell Woman is the Mother Goddess for Mabon. She watches over the crops and gardens that most directly sustain the family. She is a goddess of thanksgiving and the promise of light. (Hunt 2001) Both shells and corn are symbols of White Shell Woman. The best way to honor her is to give thanks for the many blessings we have, both material and immaterial. Even if we may still feel the lack of something, there is much to be thankful for, and gratitude brings many rewards.

Asase Yaa is the crone for this time. A Ghanian old woman of the land, she reminds us of the hard work needed to get nourishment from the earth. We must honor the work of those who labor hard so that we might eat as well as the sacrifices of previous generations. (Auset 2009) A symbol for Asase Yaa might well be a shovel or other tool of toil. To honor elders and those who have worked hard is to honor her.

One way to bring these energies together might be to allow each person in the gathering to say what they have to be thankful for in their lives. Each may throw corn or corn meal onto the fire as they finish speaking. Then each person could speak briefly of someone who they wish to honor, an elder or someone who has worked hard, and use a metal shovel to scoop out a bit of the embers of the fire. When the embers cool to ash, each person may state their oaths of family and community commitment, wet their hand with a little water and press it into the ash and then print their hand against a stone or wood surface prepared for this. These hand prints will then remain as reminders of the commitments made.

Samhain

With all the activities of Halloween going on, it can be difficult to get the family to focus for a moment on the spiritual side of Samhain. When my children were toddlers, they put out offerings for “Grandfather deer” and received small presents in the morning. We gave them candy and tried not to scold them for their many misdeeds on the basis of the concept that small children are “close to the ancestors.” Now as they grow older it is their turn to learn to give back and to honor ancestors as well.

My Maiden Goddess for Samhain is the Norse sun goddess Sunna. She is connected to spiritual magic and the symbol of a sun cross. (Woodfield 2014) This would be an excellent time to make bind-runes to put on talismans (a bag, shirt, doorway plaque or jewelry) for whatever magical energies you want to attract. Both bind runes and rune divination would be a way to connect with Sunna. 

Creative Commons image by Lisby of Flickr.com

Creative Commons image by Lisby of Flickr.com

Oya is the mother of nine children and my Mother Goddess for Samhain. She is a bit dark compared to most mother goddesses. Her connection to hurricanes, the transformative number nine and strong emotions of rage or fear may be frightening to some but I quickly connected with this goddess. While it is not comfortable to face these emotions, allowing them to be expressed can bring healing. I don’t necessarily want to go through hard times again, but I know that Oya can also play a part in healing from traumatic experiences, ecological devastation and social injustice. (Caputi 2004) A wild wind on a dark Samhain night is the time for Oya. Dressing up in ways that express dark and powerful emotion may be perfect way to honor her.

Baba Yaga is my Samhain crone. The contemporary stories that include her are scary enough to satisfy even secular concepts of Halloween. She is death, destruction and power, but she also grants wishes and punishes the unjust, the lazy and the apathetic bystander who tolerates injustice. (Greenfield (2014) To honor her we may make sacrifices in our lifestyle that help to redress imbalance or injustice or make commitments (Samhain resolutions of a sort) to work actively for justice and earth protection. 

Yule

Yule is already a very busy holiday for us. We have several cultures and an extended family to deal with. There are presents, big meals and various traditions happening every which way. Add to that the fact that we’ve been on a different continent away from home for two years but now we’ll be home, trying to reconstruct our home traditions. It is easy for the spiritual aspect to be overshadowed and almost impossible to hold any sort of small family ritual. The one thing we do always have is a Yule tree with decorations and usually a small scene of figures under it. This is one place where we can bring in the Goddess. 

I try to hold a brief dawn greeting of the sun with my husband and children on the morning of the Solstice. We usually also pull off a candlelight dinner the evening before with expressions of what we are thankful for and Solstice Tarot readings for the adults. 

It is into this part of the Yule celebration that I would like to bring some celebration of the Goddess. Usha, the Indian goddess of dawn, is my Maiden Goddess for Yule. Her twin sister is Night and they share the nursing of a child. They walk the same path, each in her own particular way. (Agrawala 1984).Her symbols might be a figure of an infant that is both dark and light or an infant wrapped in silk cloth with Indian designs. 

Ekhi, the Basque sun goddess (Sykes 2002) and motherly protector of humanity, is my Mother Goddess for Yule. She assures her children of hope and the eternal return of morning. She is a mother but is also born from the “reddish seas.” She reminds us of the need to stay a while in darkness in order to regenerate creative energy. She can be symbolized by a mother figure dressed in red or carrying a torch.

 Hekate is the Crone Goddess for Yule. She is a goddess of time, fate, solitude and witches, a mistress of the dead and “Keeper of the Keys to the Cosmos.” (Moss 2015) She can be symbolized by the figure of an old woman with a lantern or a key. 

Figures for these goddesses can be made out of clay or other materials and placed under the Yule tree. We can honor Ekhi at the candlelight feast on the eve of the Winter Solstice with poems of hope and thanksgiving for the promise of hope in difficult times. We can honor Hekate during the late night ritual of Solstice Tarot readings, lighting a candle in a small lantern. We can honor Usha at dawn when the sun returns.

Bibliography

Agrawala, P.K. (1984). Goddesses in Ancient India. New Dehli, India: Abhinav Publications
Auset, B. (2009). The Goddess Guide: Exploring the Attributes and Correspondences of the Divine Feminine. Woodbury, MN: Llewellyn Publications.
Caputi, J. (2004). Goddesses and Monsters. Madison, WI: University of Wisconsin Press.
Chaudhuri, S. K. (2003). Hindu Gods and Goddesses in Japan. New Delhi, India: Vedams.
Daimler, M. (2016). Pagan Portals - Brigid. Winchester, UK: Moon Books.
Greenfield, T. Ed (2014) Naming the Goddess: Washington, DC. Moon Books
Hunt, L. (2001). An Illustrated Meditation Guide: Celestial Goddesses. St. Paul, MN: Llewellyn Publications.
Leeming, D. and Page, J. (1994). Goddess: Myths of the Female Divine. New York, NY: Oxford University Press.)
Loar, J. (2008). Goddesses for Every Day. Navato, CA: New World Library
MacLeod, S. P. (1960). The Devine Feminine in Ancient Europe. Jefferson, NC: McFarland and Company, Inc. Publishers
Monagham, P. (1997) The New Book of Goddesses and Heroines: Woodbury, MN. Llewellyn Publications
Monagham, P. (2014). Encyclopedia of Goddesses and Heroines. Novato, CA: New World Library
Moss, V. (2015). Pagan Portals Hekate: A Devotional. Hants, UK: Moon Books
Motz, L. (1997). The Faces of the Goddess. New York, NY: Oxford University Press
Sass, R. (2003) The Old Saxon Language and Heathenry. Robert Sass)
Shaw, M (2006). Buddhist Goddesses of India. Princeton, NJ: Princeton University Press.
Slocum, S. K. Ed. (1992). Popular Arthurian Traditions. Bowling Green, OH: Bowling Green State University Popular Press.
Sykes, E. (2002). Who’s Who in Non-Classical. New York, NY: Routledge.
Warch, M. L. 2014). White Buffalo Woman. In T. Greenfield (Ed.), Naming the Goddess (pp. 328 - 330
 Weber, C. (2015). Brigid: History, Mystery and Magick of the Celtic Goddess. San Francisco, CA: Weiser Books
Woodfield, S. (2014) Drawing Down the Sun: Rekindle the Magick of the Solar Goddesses. Woodbury, MN. Llewellyn Publications

Living close to the land at the Summer Solstice

I don't suppose life was ever easy for people who subsisted directly from the land they lived on, whether hunting and gathering or practicing small-scale agriculture. But it has become even harder to live "off the land" in the past thirty years, in particular. 

I grew up in a remote, rural corner of Eastern Oregon and my parents made a fair stab at living an earth-centered life, growing and raising a great deal of our food in the 1980s. There are still people who do that today and some even live off the grid, running their homes with solar and wind power. But there are a lot of hardships involved. The climate has become harsh and unpredictable in many areas. Climate change and international travel have spread pests to areas where they have no predators and made subsistence organic agriculture has become a risky gamble indeed.

Economically, in the United States and Europe at least the burdens of taxes and regulations have made it increasingly hard to raise children while living on the land and off the grid. I'm not saying it's impossible and those who do it, even for short periods, have my respect. But as much as I would like to, I don't live entirely in that way.

Instead my husband and I have worked to build a life that is as ecologically sustainable and low-impact as we reasonably can make it - given our climate, geographic location and economic situation. Our second goal is to raise our children in as healthy an environment as possible without entirely segregating ourselves from modern society. 

In practice, this means we grow as much food as we can, focusing on crops which do well in our climate and which are somewhat resistant to local plagues of slugs and mold. This means that we eat a lot of squash, pumpkins, kale, lettuce, green beans, currants, blackberries and plums. I was fortunate enough to start out loving these foods. Yet I'll admit that going into our tenth year at this, I find bananas exciting and maple syrup is an ecstatic experience. 

But on another level, I have come to grasp viscerally the way agricultural peoples saw their staple crops. Early to mid-June is a very sensitive time for squash and pumpkin plants in our climate. They are still fragile and susceptible to being eaten by slugs until they grow spines and tough sin. One year a hail storm in June decimated our crop, having a painful impact on our family's ability to eat organic meals for the next year. We are fortunate that crop disaster doesn't mean starvation for us, but it does mean unhealthy, pesticide laden food. The fact is that in the Czech Republic organic produce is far beyond our budget, unless we grow it. 

And so gardening, the work of feeding a family directly from the soil has become a big part of my spiritual path as well. This year my pumpkin and squash seedlings were slow to get going and I worried and called out for help. But they finally did come up and are now a good hand high. When a hail storm came last week, I ran out in it with pots and bowls to cover the seedlings. My six-year-old daughter stood in the doorway handing me more, her eyes wide with anxiety and excitement, as the downpour soaked me to the skin and the beginnings of hail bounced off my head. 

I saved the crop and caught a cold. Fortunately, the garden also has medicinal herbs for tea. While I recovered, my daughter devised her first ever ritual and prayer on her own.

I was amazed and gratified to see the level of sophistication she had gained mostly by just watching me in my spiritual practice. She asked me to help her light candles and use a sage smudge. Then she made up a prayer, invoking Thor (as the Norse god she associates with Thunder based on a story she heard once three years ago) and White Shell Woman the Navajo goddess of crops and livelihood. She asked for the hail to move on, for the rain to go to the desert "where grandma Julie really needs it" and for our garden to grow. She made an offering of blackberry cake outside, a true sacrifice because it's a special treat. 

By the time the Solstice comes around the pumpkin and squash plants will be big enough that they can survive both slugs and hail, the corn will be well started, the fruit trees will all have flowered and set fruit and the green beans will be climbing their trellises. We'll have very practical reasons to celebrate and a sense of our labor combining with the energy of the earth and sun to give us our livelihood. 

Whether you live in a city or in a place where you have the luxury of a garden, Litha or the Summer Solstice is a worthy time to think about how you combine your labor with the energies of the earth and sun. Maybe you live in such a way that you do have the budget to buy locally grown organic produce and thus support a large-scale development of sustainability. Maybe you grow basil and sage on your window sill in a small apartment, so that you can cook tasty food from scratch and avoid harmful and ecologically unfriendly flavorings and packaged foods. Maybe you volunteer or contribute financially to organizations that work for ecological and sustainable development.

Whatever it is the Summer Solstice is a time for these energies to come together. Here are some of the ways I celebrate in a family with small children.

Cooking

Picking strawberries - Creative Commons image by Loadmaster (David R. Tribble)

Picking strawberries - Creative Commons image by Loadmaster (David R. Tribble)

There is one other crop we've worked long and hard to grow. It hasn't been as easy as our staple crops but it is one that is worth it. We grow 20 strawberry plants. After years of trial and error we have hit on a system where we get most of the strawberries and the slugs and mold only get a few. And it is usually right before the Summer Solstice that our full-season-producing strawberries are at their peek. Given a good sunny week, we can all have fresh strawberry shortcake with organic strawberries that I can feel good about watching my kids eat. 

Here is my deluxe strawberry shortcake recipe. Keep in mind that strawberries really are one of those foods that is particularly worth buying organic. If you can't grow them yourself, barter, trade and save to buy them. There are places where you can pick your own in local organic gardens and cut the cost a bit. 

My recipe, developed over the past dozen years is a combination of my mother's buttermilk biscuits and my strawberry sauce

Grandma Julie's buttermilk biscuits

1. Preheat the oven to 425 F (210 C).

2. Mix together:

  • 1 1/2 cups flour
  • 1 1/2 tablespoons sugar
  • 1/4 teaspon salt

3. Stir and tweak in

  • 1/4 cup (1/2 stick) cold butter cut into small pieces. 

4. Add

  • 1/4 teaspoon soda
  • 1 1/2 teaspoon baking powder

5. Stir and add

  • 3/4 cup buttermilk (plain yogurt works in a pinch)

6. Combine and kneed a very little in order to make a smooth, somewhat sticky dough.

7. Divide into six equal pieces and shape each piece into a flat disk.

8. Put the biscuit disks on a cookie sheet covered with baking paper (or greased).

9. Bake for 15 minutes. 

Mama Arie's strawberry sauce

10. Clean and cut the tops off the strawberries. Then divide them in half. 

  • For each biscuit you'll need about a double handful of strawberries. You can get by with a bit less but the more the merrier.  

11. Put one half of the strawberries into a bowl. Use a potato masher or a fork to slightly crush the strawberries and release their juice. 

12. Add

  • about 4 tablespoons of sugar for a standard batch (or add slowly to taste)

13. Mix and add

  • 4 - 6 tablespoons of sour cream

14. Save the other half of the strawberries for putting on top.

15. Place a biscuit on a plate and cut it into cubes. Pour strawberry-sour-cream sauce over it and top with cut strawberries. Whipped cream is optional. 

Our other staple of the Summer Solstice is big salads containing garden greens, chives, radishes and edible flowers (dandelions, violets, daisies) - basically whatever we can grow at this season - with feta cheese, boiled eggs, sunflower seeds and herb and yogurt dressing. The kids are very enthusiastic after a winter of cooked veggies.

Crafts

There is so much activity around Beltane that the fairy theme seems to get lost in the shuffle then. This is when we really go all out with fairy crafts, coloring sheets, anything with multicolored wings (butterflies made of tissue paper, wands with fairies at the end). We also make sun catchers to hang in the windows or from trees outside, often using translucent materials that can channel light.

However,these crafts can often be found elsewhere, so the one I want to highlight here is one I partly developed from just the glimmer of an idea mentioned elsewhere. It is particularly special because:

  • It is exceptionally easy and can be made by even very young children.
  • Yet it's beautiful enough to delight adults and be a real home decoration.
  • It's a sun image.
  • It's made with natural materials.
  • And it helps to clean out the pantry in preparation for storing food for another winter.
Creative Commons attribution required illustration by Arie Farnam

Creative Commons attribution required illustration by Arie Farnam

Thus it really combines all the elements we want with the Summer Solstice - sun, natural materials, the bounty of the earth, the remembrance that winter will come again. You could even add a fairy if you wanted. 

You will need:

  • A clean, sanded, flat square of wood or stiff cardboard as backing
  • A pencil
  • A lot of white glue
  • A bag of red lentils
  • A bag of black beans

And here are the steps: 

  1. Draw a simple, bold sun shape on your backing with a pencil.
  2. Cover the area you drew generously with glue.
  3. Pour red lentils generously over the glue.
  4. Lightly press the lentils into the glue with your hand.
  5. Set aside to dry.
  6. Pour the excess lentils, which did not get glued, off.
  7. Cover the remaining area of the backing generously with glue. 
  8. Lightly press the beans into the glue with your hand.
  9. Set aside to dry.
  10. Pour the excess beans off.
  11. You can either fix a hanger to the back and hang this on the wall or prop it up on your window sill or alter. 

Blessings of the sun to all!

Ritual and fun with children

Creative Commons image by Kathie Hodge

Creative Commons image by Kathie Hodge

We rarely do a large ritual at Litha. If possible we hold a family bonfire in our garden and sing and drum to help the crops and our dreams grow. Because the Book of Runes by Ralph H. Blum was written over the night of the Summer Solstice, I find it to be a good time for run work. I made my rune script of protection that hangs on the center beam of our house on the Summer Solstice, for instance. It's a time of activity and work. 

But I like to have something that sets the special days apart for the children and besides crafts and strawberry shortcake, we often make fairy houses in the woods. The key is to use all found natural materials that don't harm the plants. It is a way for children to connect with the growing natural world in a deep way. 

We usually start by making walls out of rows of sticks, placing leaf dishes and beds inside and then covering the whole with a roof of moss or bark. Pebbles can be used to make a pretty pathway up to the door. 

Children's Summer Solstice Blessing

Here is a short sun blessing that my children have enjoyed this year. Feel free to use and adapt as you wish.

Ancient Sun, reborn sun, giver of life and energy,

in oil, tree, herb and tide, in harvest bounty and in light,

as you shine in the heavens kindle our hearts with fire.

May you light the world as you light the sky

I love to hear from you. Feel free to ask questions or share your own summer solstice blessings and tips in the comments (icon on the lower left). Share this article with your friends using the icon on the lower right. 

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