A circle of ancestors: Truths from deep in the well

Dark comes fast amid the trees, turning the colors of drying blood, red to brown. It's that time of the year, when thoughts turn to the past and to ancestors.

I put up an ancestor altar for Samhain / the Day of All Souls. There is one significant new addition to my beloved dead this year, a sweet voice I can still hear in my memory. But also over the past year, I have learned a few tidbits about how at least one of my ancestors was involved in a KKK group in Oregon. And some of the best photographs I have are from a more recent ancestor who was known to be both sexist and racist, along with having some better qualities. 

Ancestor altar.png

What does honoring the ancestors mean? Does it mean that you can take credit and say thank you if you don't know anything negative about your ancestors? Does it mean you ignore the ancestors you feel ashamed of and celebrate only those who did good things, like my great aunt who saved many lives as a humanitarian worker in the Philippines?

The past few weeks have been particularly hard on my family with a lot of community pressure and internal struggle for balance. There are times when I rethink the old belief that the universe gives us only as much hardship as our spirits can bear. It seems like the universe has been cutting it awfully close these days.

And sometimes I wonder. Maybe my philosophy is wrong. Maybe this is just bad karma from my prejudiced ancestors. 

Should I honor my ancestors?

I think of the well at our old family homestead. Once when I was fifteen, I was lowered into it to help with repairs because my slim body was a better fit for the narrow well than my father's broad-shouldered frame.

My father told me not to look up because sand and dirt could fall into my eyes as he lowered me on a rope 60 feet into the earth. I obediently kept my eyes down. With the headlamp I was wearing I got a good look at the rows upon rows of hand lain rough field stone that was used to reinforce the walls of the well. 

To this day that is one of the most respect-inspiring sights I've ever seen. I knew the rocky, clay soil of our remote Eastern Oregon ridge intimately. I had helped grow food in it since early childhood. I'd built forts and hideouts in its rugged outcrops. I had also dug for camas root in the meadows with precious little success, bruising both hands and tools on the many rough gray rocks in the clay. With my significant vision impairment, I had learned to move carefully among the jagged boulders on the windswept top of the ridge. This was not a land that lent itself to digging. 

And yet someone dug a 60 foot shaft by hand in the age before machinery and lined it with neat rows of perfectly fitted field stones. These were not the ancestors of my blood but they were in every fundamental way the ancestors of my our hearth. 

The winter my mother was pregnant with me, my family shared a tiny cabin with another family. Four adults and three small children in what was once a one-room schoolhouse. In November, they were out one night when the cabin burned to the ground, due to a faulty wood stove. My father moved my pregnant mother and two-year-old brother a quarter mile up the hollow to the moderately flat spot where this well stood. 

At the time there was nothing else there. Just the well, left by nameless settlers amid the snow and mud. My father parked an old, broken-down truck next to the well and spent the winter building a new cabin around it. I was born in the loft of that cabin, built over the roof of the old truck the next April.

This is my history and the significance of that well to me. Without a well, the dry Eastern Oregon ridges are unlivable. I knew people who had to haul water, and even as a small child, I remember having a deep gratitude for that well.

And yet...

My parents may have purchased that land fair and square, but there were--as it turned out--other traces of human habitation on it. My brother found Native American artifacts in an embankment in one of the camas meadows. And there is a circle of ancient mounds on the ridge that is too regular to be natural. 

The settlers who built the well or those who came before them--someone--stole this land, and while the road there still isn't paved, they made it possible for us to live there. 

This is what I think of every Samhain. My awe and respect for the lives endured by the ancestors of our land, hearth and family, as well as great sorrow and pain for the wrongs that can be remembered if one is willing to look. 

While I was down at the bottom of that well at the age of fifteen, I laid some insulation cloth as my father instructed. Then just before giving the proscribed tug on the rope to signal, so that I would be pulled up, I cautiously turned my head and looked up. 

I have rarely felt such raw terror in my life. At first I thought something was wrong with my vision, not out of the question given my eye condition. The top of the well was gone or else it was night and the full moon had risen. But I couldn't possibly have been down there that long, I thought frantically.

Then the truth crashed in on my consciousness. That distant round moon of light WAS the opening of the well. I had not thought about how far down 60 feet is or how closed in and vulnerable a soft human body would be that far under the earth in a shaft so narrow that I had to turn around carefully. Now that I saw the distant opening, the realization was terrifying. 

I felt my throat constrict and I fought a wave of panic that threatened to send me into senseless screaming and thrashing. My father had told me to be still and not make any loud noises. He was afraid I might dislodge stones in the well and be injured. Getting out of that well calmly was probably the first truly brave thing I ever did. 

That well was our lifeline and also an artifact of one of the worst genocides in human history. I was the great granddaughter of immigrants and settlers. I then left that land and went far across the ocean to another country, where I am a first generation immigrant and now a new citizen. I married a man who can trace the names of his ancestors back 600 years on the same little farm in the swampy land of South Bohemia. And our children are adopted from decimated families who were among a handful of Romani (Gypsies) who survived both slavery and the Holocaust in central Europe. 

Samhain is far from simple around here. 

In the end, I cannot make justice or peace for history. I can only set out the photographs, the names and the symbols of those people who came before, those who gave us life, sustenance, hope and a chance to make our own mark. 

The land of my childhood sustained me and gave me a body with health and resilience for which I am often grateful.  As a child I learned to call the quarters in the Native American way and I studied the Teutonic runes. Blood says I have no claim to the former and history has tainted the latter. There is truth in that. 

There is also truth in gratitude, in respect and in remembering. I will not claim stolen heritage. And yet, I cannot shake the feeling of kindness and peace that comes from the earth at the old homestead. I feel sorrow for the people forced to leave that land, but I do not sense that they hate me. I feel a circle of presence at Samhain, all the ancestors of my childhood--of family, of land and of hearth--and all the ancestors of my present, those of my husband, so well documented, and those of my children, unknown except for the painful history that we know rolled over them in one way or another. 

No, I do not feel an idealized warmth from all the ancestors, a circle of support and blessing. I do feel intense currents of sorrow, pain, shame and anger, interspersed with love and hope. But they are all there. They are not absent.

They are all in the circle at this time of year, no matter what baggage they may carry. And I feel called to honor them, not just on this one day but also by living in a way that gives honor for the gifts they each gave me. When the burdens seem too great, I want to always remember this. I humbly accept this life. I acknowledge what came before.

The spirit of Ostara: the cycles of the earth as a guide to good living

Sometimes I am asked why I celebrate the Pagan Wheel of the Year with my family, even when there isn't a fun community event to attend.

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

Why do you need special words for season celebrations? Why do you need to complicate the dates of school holidays for your kids? There isn't definitive proof of the ancient origins of celebrating eight solar holidays, so isn't it partly made up?

As with most things connected to spirituality, there are several levels to my answer.. On the surface, the answer is simply that these celebrations ring true to me deep inside. And second, I want honesty in practice, I suppose.

Growing up in an earth-centered family that didn't use the Wheel of the Year, calling our celebration "Christmas," while  acknowledging that we were really celebrating the Winter Solstice, I always felt a disconnect. If we're "really" celebrating the winter solstice and we know historically that Jesus Christ probably wasn't born on December 25 and he isn't our main focus anyway, then why don't we just celebrate the Winter Solstice and cut out the middle man? 

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

I felt like kids in real Christian families had it better because they had a tradition, something meaningful in their celebration. And ours felt truncated, damaged... even, yes, stolen. This was not an intellectual thing. I was too young at the time to know the history but that was how I felt.

And I wanted a sense of authenticity for my kids.

That was essentially my motivation in the beginning for celebrating the Wheel of the Year. But lets's face it, it's a hard thing to keep up year after year--a holiday every six weeks or so, that begs for specific preparation, attention and connection. If it were only a matter of principle, I might not have lasted thirteen years and counting. Many people don't.

What keeps me strong and passionate about celebrating the Wheel of the Year is it's practical usefulness. 

Yes, practical, real benefits. Let me explain.

We all tend to get stuck at some point in our lives, either in depression or being a workaholic, being young and isolated form what isn't in our generation or being old and feeling like our life is over. There are many places to get stuck and those stuck places can last years.

And that is a large cause of misery. 

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

The Wheel of the Year essentially ensures that I don't get stuck. The celebrations in are in alignment with nature and thus objectively "true" or "real." Even deep depression eventually has to at least acknowledge the fact that spring came again. 

And better yet, the Wheel of the Year is a spiritual teaching in a nutshell. Within it there is pretty much all you need to meditate on spiritually. Each celebration calls up specific important values and themes and taken all together they are a code of spiritual being. 

People sometimes ask how I teach my children about Pagan beliefs and rituals. The primary answer is that I celebrate the Wheel of the Year with them. There are other things, like learning herbcraft, grounding meditation, prayers of gratitude for food and a little simple candle magic, but mostly it's about the Wheel of the Year for my kids. The earth is our textbook and the Wheel of the Year is our lesson plan.

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

It isn't just as simple as learning the cycles of the seasons though. Okay, sure, everything dies in the fall and is reborn in the spring here, but in some climates that isn't entirely true. That isn't really the point anyway. Each celebration has particular themes that feel connected to the earth and sun at that time and therefore are easily understood at that point in our journey around the sun.

At Imbolc we go within and delve into dreams and intuition. It is the time in the belly, before the birth of new plans, activities and projects. At Litha (the summer solstice) we are full of life, bounty, energy, pride and expression. We are often hard at work and celebration comes amid many other activities. At Samhain, we are drawn back to the earth, there is a feeling of old sorrow, of things coming to necessary ends and a tendency toward memory. It is the natural time to be reminded to honor our ancestors. 

If you celebrate Imbolc, you will not go a whole year without remembering to focus on your inner world. If you celebrate Litha, you will not go a whole year without expressing yourself with energy and pride. If you celebrate Samhain, you will not go a whole year without honoring ancestors.

And each celebration has a similarly crucial point. I will be writing more posts about the spirit of each celebration, but the celebration at hand is Ostara, so I'll start with that.

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

Ostara

Ostara is the European Pagan term for the spring equinox and it is celebrated much like Easter. The appropriate symbols are eggs, sprouting plants, rabbits, hares and babies of all kinds. The obvious themes are renewal, rebirth, the beginning of life and expression, new beginnings in general and children. 

As a mother, it is very important to me that my children have a lovely time at Ostara. It is a time to honor and delight in them. They are the future, our new beginning as a species. Their joy in the springtime is a blessed and righteous thing. So, more than any other time they get to eat a lot of candy. They fully enjoy scouring the yard and back woods for treats and eggs. We make pretty colorful crafts, many of them egg-related. 

But when I started to contemplate exactly how to convey the concept of rebirth and new beginnings to young children, I realized that the spirit of Ostara goes much deeper than that. If this is a celebration that also honors children, that necessarily implies the protection and valuing of that which is vulnerable. New life is inherently vulnerable and we can see that protection of vulnerability in all of the ancient symbols of this celebration--particularly the egg.

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

We know that in our modern world the worst abuses of human rights are suffered by children. Children are more likely than adults to live in poverty or to be in need of basic necessities like food, water and shelter. Children are often the first to suffer when societal racism or other prejudices rear their ugly heads. There are obvious reasons why the protection of children is connected to human rights in general. 

The protection of new life extends, of course to the protection of the vulnerable among other species. The concept of both biological and cultural diversity is implied in the rainbow colors of Ostara. This is not only a celebration of one rebirth but of all the colors and miraculous diversity of life--human and otherwise. 

This realization has deepened my experience of Ostara. This celebration of renewal can be a great help in overcoming a stuck place in myself. If there is some lingering depression, hurt, resentment or stagnation, the return of light to our northern latitude does wonders for it. The necessity of getting outside and tending vigorously to the spring needs of our urban homestead is invaluable in getting past blocks. 

But more than that, the celebration of rebirth, color, diversity and the protection of the vulnerable is what the heart needs at such times. It is a shot of clear-eyed idealism., regardless of how bleak things may seem in the outside world.

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

This year, many of us are exhausted from a long winter that did not seem to be as restful as it should have been. We have been struggling to retain the way of life we and our ancestors fought for--the rights and freedoms that often came at great cost. We are also contemplating that now when we should be working primarily for a sustainable future, environmental concerns have taken a back seat to the immediate needs of vulnerable people in our society.

Plenty of us are already experiencing outrage fatigue. And it is just early days yet.

And here is Ostara, the celebration of renewal, a time to warm your heart and think of fluffy and bright colored things. It may be hard to grasp when things are hard, but this is what we actually need right now. 

Stop a moment, ground yourself in the earth. Remember that the earth's rhythm does matter. Let the energy of renewal and new life flow into you. Focus your energies on protecting those most vulnerable, both human and non-human. Celebrate the rainbow of diversity in languages, cultures, colors and species.

Illustration from Shanna and the Raven: An Ostara story

Illustration from Shanna and the Raven: An Ostara story

Break free.

 In my quest to teach my children these values of eternally resilient life and hope, I wrote the Ostara story Shanna and the Pentacle. This is a story for all earth-centered, goddess-oriented and vaguely Pagan families. It isn't a "teachy" book, but rather a story that grabs kids' attention, especially if they are growing up as a religious minority.

In this story about new beginnings, eleven-year-old Shanna and her eight-year-old brother Rye move to a new school. At first, that seems like challenge enough. New beginnings are exciting but not always easy. Amid budding flowers and preparations for their Ostara celebration, Shanna runs into a real problem. Her teacher and some of the kids at her new school object to a pentacle necklace that her best friend gave her.

When her family moved Shanna had to leave her best friend behind and that is part of the difficulty of this new beginning. When her teacher demands that Shanna stop wearing her pentacle to school and the principal confiscates it as a suspected "gang symbol," the young girl feels the sting of prejudice. 

Shanna is at the same time learning to accept others who are different from her. One of the new things about her new school is the greater cultural and racial diversity of this urban school over her previous one. Shanna soon discovers that friends come in many varieties and it is through a surprising friendship that Shanna gains the courage to stand up for her own identity as a Pagan girl. 

This story not only embodies the crucial messages of Ostara, but it is also filled with beautiful paintings by Julie Freel that evoke the season and the story. This is a story for Ostara, though one that will show that new beginnings aren't always easy. It emphasizes the importance of standing up for one's own identity, the great advantages of diversity and the need to protect the young and vulnerable. With this story, these values are not forced on children but delivered in a way that makes them as natural as the fact that the sun rises earlier every day in the spring. 

I hope you'll enjoy this story and share its fun and themes with children in your life. Many people have asked when there will be more stories in the Children's Wheel of the Year series and I am delighted to tell you that the Beltane book is very nearly ready to be printed and will be out well ahead of the holiday.

I hope you will support our endeavor--which is still non-profit due to the costs of the illustrations, materials and books--and share these stories with others. If you are eager for more stories about the natural themes and values of the Wheel of the Year, spreading the word about these stories is a significant help in our efforts to keep them coming. 

Happy reading and blessed Ostara to all!

The Goddess in America - Pagan Book Review

Here's America's answer to Pagan Planet. which focuses heavily on the British Isles. The Goddess in America: The Divine Feminine in Cultural Context, edited by Trevor Greenfield, is an impressive anthology of Neopagan, Reclaiming and Goddess-oriented writers and it provides a valuable study guide for anyone seeking to understand Goddess-centered faith in America.

Right off the bat, this book passes the first, most obvious and most often failed test when it comes to looking at Goddess spirituality in America. That is it starts before Columbus... long before Columbus and stays there for a solid chunk of the book. Kudos to the editor for that. It isn't a stance without its critics and dangers. 

The issue of the uneasy relationship between Goddess-devotees of European descent, Native American Goddess spirituality and cultural appropriation is addressed without any definitive conclusion. It's a sticky subject and there is essentially no way to satisfy everyone. Several authors weigh in on the topic in this anthology, all offering various versions of a moderate viewpoint: i.e. people should be free to honor goddesses other than those from their own genetic background as long as they do so with true respect and take the time to understand the cultural context of the goddess and give something back to the culture and community that the goddess comes from. Some authors have more exacting standards than others when it comes to correct respect but that is the general consensus.

The book continues with a variety of perspectives on the historical development and contemporary character of goddess spirituality in America. Again, the editor has heard the calls for more racial diversity in such anthologies and the authors represent reasonable diversity within the movement, including Vodun and Hebrew goddess perspectives. 

The book is generally well written, excellently edited and interesting to read. Unlike some similar books there is little attempt to make it easy or light reading, however. The authors state their issues in all their complexity, which will make the book appropriate for university programs and other scholarly considerations. It includes several sections on pop culture, including an essay on representations of the Goddess in pop culture as well as the Goth movement, but these issues are handled from an analytical perspective, with respect for those who are part of these trends and yet without playing to a pop culture tune. 

If there is any issue in which I feel the book is not fully representative of American goddess-spirituality it is in the emphasis of several authors on Reclaiming. My broad experience of the on-line world of American goddess spirituality shows that both formal Reclaiming groups and the general values and ideals of Reclaiming are much less prominent in America than they are represented in this book.

I personally love the Reclaiming movement, however, and I wish these values and ideals had greater sway in the popular goddess movement in America, so I don't take offense at its exaggerated influence in the book. I dearly wish more people today took social and environmental activism to the core of their spirituality and acted on the principles they profess. Instead I find a media landscape which deadens passion and ridicules those who stand up for their beliefs actively.  

Thus to paraphrase the motto of the Society for Creative Anachronisms, this is something like the Goddess in America--as she is and should be.  This book sets out not just to document where we are but also to point a conscious way forward for the goddess community in America. 

All in all this is an excellent anthology on contemporary goddess spirituality and well worth the read.